REGISTRATION BEGINS: January 13, 2022 at 12:00pm

One of seven courses available for the May 12 – 15, 2022 MCA Weekend Workshop @ Haystack

Repetition in Nature: An Enamel Workshop

Instructor: Tayna Crane
Haystack Studio: Metals
Materials Fees: TBD
Enrollment Limit: 10
Level: Beginner
Class Description:

Learn to use various approaches to repetitive mark making in vitreous enamel using natures natural patterns as a guide. This class will introduce students to various techniques for replicating these patterns for enamel surfaces including stencils (both handmade and purchased), sgraffito, and pen work. Overglaze enamels and oils will allow for free mark making and painting abstract backgrounds and details. To finish your pieces, I will demonstrate various textured surface techniques that will transform your pieces into true abstract artforms.

About the Instructor-

Tanya Crane’s artwork dwells within a liminal existence between prejudice and privilege. Reared in a white middle-class suburb of Los Angeles, Crane’s experience with blackness was limited to visiting her father in South Central Los Angeles. Her dual existence has deeply informed her practice and has led to four distinct bodies of work, A Gathering of Instance, African and American, Seeing Through, and Polarity, Exposing the Tensity.

Crane received her MFA in Metalsmithing + Jewelry from the University of Wisconsin-Madison in 2015, and her BFA in Metal from the State University of New York at New Paltz. Currently, Crane is a Professor of the Practice in Metals at the School Museum of Fine Arts at Tufts. She is the 2018 SNAG Emerging Artist selected to present at SOFA Chicago, the 2017 recipient of the Society of Arts and Crafts Artist Award, a Haystack Mountain School Artist Residency 2017 recipient, and a participant in the Smitten Forum Metalsmithing Residency at Ghost Ranch in New Mexico 2018. She exhibited her work in a solo exhibition, Tributaries: Polarity, Exposing the Tensity, at the National Ornamental Metal Museum in Memphis, Tennessee. Her work was recently acquired for the Museum of Fine Arts Boston collection and the Stewart Foundation for Modern Design in Montreal, CN.